Centro de Culturas Eslavas UGR

Vaingurt Julia

Pankenier Weld Sara

Martynov G. G.

Burry Alexander

Since their publication, the works of Dostoevsky have provided rich fodder for adaptations to opera, film, and drama. While Dostoevsky gave his blessing to the idea of adapting his work to other forms, he believed that "each art form corresponds to a series of poetic thoughts, so that one idea cannot be expressed in another non-corresponding form." In Multi-Mediated Dostoevsky, Alexander Burry argues that twentieth-century adaptations (which he calls "transpositions") of four of Dostoevsky’s works—Sergei Prokofiev’s opera The Gambler, Leos Janacek’s opera From the Dead House, Akira Kurosawa’s film The Idiot, and Adrzej Wajda’s drama The Devils—follow Dostoevsky’s precept by bringing to light underdeveloped or unappreciated aspects of Dostoevsky’s texts rather than by slavishly attempting to recreate their sources. Burry’s interdisciplinary approach gives his study broad appeal to scholars as well as to students of Russian, comparative literature, music, film, drama, and cultural studies.

Рязанов Эльдар Александрович

Издание содержит: Вечер первый. Страницы биографии; Вечер второй. Актер театра; Вечер третий. Высоцкий в кино; Вечер четвертый. Поэт. Певец. Музыкант""";;;;;;;;;;;;;;;;;

Силонова О. Н.

Вашему вниманию предлагается книга "Эрмитаж. Архитектура и коллекции" на испанском языке.

Давлекамова Сания

Kachurin Pamela

Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.