Centro de Culturas Eslavas UGR

Шильдер Николай Карлович

Данное пособие адресовано в первую очередь иностранцам, осваивающим русский язык, а также детям наших соотечественников, проживающих за рубежом. Пособие будет интересно учащимся общеобразовательных школ

Дайнес Владимир Оттович, Конев Иван Степанович

Издание предназначено для детей дошкольного и младшего школьного возраста

Книга написана ясным и живым языком и сможет заинтересовать широкий круг читателей

Blake Elizabeth A.

While Dostoevsky’s relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake’s ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship. Previous commentators have traced a wide-ranging hostility in Dostoevsky’s understanding of Catholicism to his Slavophilism. Blake depicts a far more nuanced picture. Her close reading demonstrates that he is repelled and fascinated by Catholicism in all its medieval, Reformation, and modern manifestations. Dostoevsky saw in Catholicism not just an inspirational source for the Grand Inquisitor but a political force, an ideological wellspring, a unique mode of intellectual inquiry, and a source of cultural production. Blake’s insightful textual analysis is accompanied by an equally penetrating analysis of nineteenth-century European revolutionary history, from Paris to Siberia, that undoubtedly influenced the evolution of Dostoevsky’s thought.

Веселаго Феодосий Федорович

В справочнике компактное изложение основных научных сведений о современном русском языке в соответствии с вузовскими программами для студентов-филологов

Цветаева Марина Ивановна

Marina Tsvietáieva es, en palabras de Joseph Brodsky, la poetisa más grande del siglo XX, y uno de los destinos más representativos de su tiempo. Tzvetan Todorov ha extraído de las obras completas de Marina el material que conforma este volumen.

Apollonio Carol

When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense," it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky’s work, reading through the facts--the text--of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose. This sort of reading against the grain is, Apollonio suggests, precisely what these works, with their emphasis on the hidden and the private and their narrative reliance on secrecy and slander, demand. In each work Apollonio focuses on one character or theme caught in the compromising, self-serving, or distorting narrative lens. Who, she asks, really exploits whom in Poor Folk? Does ""White Nights"" ever escape the dream state? What is actually lost--and what is won--in The Gambler? Is Svidrigailov, of such ill repute in Crime and Punishment, in fact an exemplar of generosity and truth? Who, in Demons, is truly demonic? Here we see how Dostoevsky has crafted his novels to help us see these distorting filters and develop the critical skills to resist their anaesthetic effect. Apollonio's readings show how Dostoevsky's paradoxes counter and usurp our comfortable assumptions about the way the world is and offer access to a deeper, immanent essence. His works gain power when we read beyond the primitive logic of external appearances and recognize the deeper life of the text.

Vladislav Petrov. Владислав Петров.

Dorofeev Iu.

Бак Дмитрий Петрович, Dutli Ralph, Moranta Mas Sebastià

Libro de la exposición del Museo Estatal de Literatura de Moscú y de la Sociedad Mandelstam de Moscú en cooperación con Granada y Heidelberg, Ciudades de Literatura UNESCO, y Centro Federico García Lorca.